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1 file picture
nPHOTO fotografía de archivo f -
2 file
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3 nail
neil
1. noun1) (a piece of horn-like substance which grows over the ends of the fingers and toes to protect them: I've broken my nail; toe-nails; Don't bite your finger-nails.) uña2) (a thin pointed piece of metal used to fasten pieces of wood etc together: He hammered a nail into the wall and hung a picture on it.) clavo
2. verb(to fasten with nails: He nailed the picture to the wall.) clavar- nail-file
- nail-polish
- nail-varnish
- nail-scissors
- hit the nail on the head
nail1 n1. uña2. clavonail2 vb clavartr[neɪl]1 (on finger, toe) uña■ to bite/cutim one's nails morderse/cortarse/arreglarse las uñas2 (metal) clavo1 clavar, fijar con clavos2 familiar pillar, coger\SMALLIDIOMATIC EXPRESSION/SMALLas hard as nails más duro,-a que una piedrato pay on the nail pagar a tocatejato hit the nail on the head dar en el clavonail clippers cortaúñas nombre masculinonail polish esmalte nombre masculino para las uñasnail scissors tijeras nombre femenino plural para las uñasnail varnish esmalte nombre masculino para las uñasnail varnish remover quitaesmaltes nombre masculinonail ['neɪl] vt: clavar, sujetar con clavosnail n1) fingernail: uña fnail file: lima (de uñas)nail polish: laca de uñas2) : clavo mto hit the nail on the head: dar en el clavon.• clavo s.m.• espiga s.f.• punta s.f.• uña s.f.v.• clavar v.• clavetear v.• coger v.• empernar v.• enclavar v.
I neɪla nail in somebody's coffin: this failure is another nail in his coffin este fracaso es otro paso camino a su derrota; to be as hard as nails ser* muy duro (de corazón); to hit the nail on the head dar* en el clavo; to pay on the nail (colloq) pagar* en el acto; they paid cash on the nail — pagaron a tocateja (Esp) or (RPl) pagaron taca taca or (Chi, Ven) chin-chin or (Méx) en caliente (y de repente) (fam)
2) ( Anat) uña fto cut one's nails — cortarse las uñas; (before n)
nail polish o (BrE also) varnish — esmalte m de uñas
nail polish o (BrE also) varnish remover — quitaesmalte m
II
1) ( fix) clavar2) (colloq) ( apprehend) agarrar or (esp Esp) coger•Phrasal Verbs:- nail up[neɪl]1. N1) (Anat) uña f2) (metal) clavo ma nail in sb's coffin —
- hit the nail on the head- pay cash on the nailhard 1., 1)2. VT1) (=fix with nails) clavar, sujetar con clavosto nail two things together — fijar or unir dos cosas con clavos
2) * (=catch, get hold of) agarrar, pillar *3) (=expose) [+ lie] poner al descubierto; [+ rumour] demostrar la falsedad de4) (=define) definir, precisar3.CPDnail clippers NPL — cortauñas m inv
nail enamel (US) N — esmalte m de uñas
nail extension N — prótesis f de uña
nail polish N — esmalte m de uñas
nail scissors NPL — tijeras fpl para las uñas
nail varnish N — esmalte m de uñas
- nail up* * *
I [neɪl]a nail in somebody's coffin: this failure is another nail in his coffin este fracaso es otro paso camino a su derrota; to be as hard as nails ser* muy duro (de corazón); to hit the nail on the head dar* en el clavo; to pay on the nail (colloq) pagar* en el acto; they paid cash on the nail — pagaron a tocateja (Esp) or (RPl) pagaron taca taca or (Chi, Ven) chin-chin or (Méx) en caliente (y de repente) (fam)
2) ( Anat) uña fto cut one's nails — cortarse las uñas; (before n)
nail polish o (BrE also) varnish — esmalte m de uñas
nail polish o (BrE also) varnish remover — quitaesmalte m
II
1) ( fix) clavar2) (colloq) ( apprehend) agarrar or (esp Esp) coger•Phrasal Verbs:- nail up -
4 motion
'məuʃən
1. noun1) (the act or state of moving: the motion of the planets; He lost the power of motion.) movimiento2) (a single movement or gesture: He summoned the waiter with a motion of the hand.) gesto3) (a proposal put before a meeting: She was asked to speak against the motion in the debate.) moción
2. verb(to make a movement or sign eg directing a person or telling him to do something: He motioned (to) her to come nearer.) hacer señas- motion picture
- in motion
motion n movimientotr['məʊʃən]1 (movement) movimiento2 (gesture) gesto, ademán nombre masculino1 hacer señas1 hacer señas, hacer una señal\SMALLIDIOMATIC EXPRESSION/SMALLin motion en movimientoin slow motion SMALLCINEMA/SMALL a cámara lentato go through the motions (of doing something) hacer algo como es debido pero sin convicciónto motion to somebody to do something hacer señas a alguien para que haga algoto put/set something in motion poner algo en movimientomotion picture películamotion pictures el cine nombre masculinomotion sickness mareomotion ['mo:ʃən] vt: hacerle señas (a alguien)she motioned us to come in: nos hizo señas para que entráramosmotion n1) movement: movimiento mto set in motion: poner en marcha2) proposal: moción fto second a motion: apoyar una mociónn.• ademán s.m.• llamada s.f.• marcha s.f.• movimiento s.m.• operación s.f.• propuesta (en una junta o un parlamento)(ADM, EMP) s.f.• seña s.f.v.• hacer señas v.• indicar con la mano v.
I 'məʊʃən1)a) u ( movement) movimiento mto be in motion — estar* en movimiento, moverse*
to set o put something in motion — \<\<wheel\>\> poner* algo en movimiento; \<\<project/plan\>\> poner* algo en marcha
it set in motion a whole chain of consequences — desencadenó toda una serie de consecuencias; (before n)
b) c (action, gesture) gesto m, movimiento mto go through the motions: he went through the motions of interviewing them — los entrevistó por pura fórmula
2)a) ( for vote) moción fto carry o pass a motion — aprobar* una moción
the motion was rejected/defeated — se rechazó/no se aprobó la moción
b) ( Law) petición f
II
['mǝʊʃǝn]1. N1) (=movement) movimiento mto be in motion — (lit) estar en movimiento
plans are already in motion for a new opera house — ya hay planes en marcha para la construcción de un nuevo teatro de la ópera
to set in motion — [+ mechanism] poner en marcha
the strike set in motion a chain of events which led to his overthrow — la huelga desencadenó una serie de acontecimientos que condujeron a su derrocamiento
to go through the motions (of doing sth) —
he was just going through the motions of living — estaba viviendo maquinalmente, vivía por inercia
they went through the motions of consulting members — siguieron la formalidad de consultar a los miembros
- set the wheels in motionperpetual 2., slow 5., time 3.2) (=gesture) gesto m, ademán mhe made a chopping motion with his hand — hizo un gesto como si fuera a cortar algo con la mano, hizo un ademán de cortar algo con la mano
3) (=proposal) moción fthe motion was carried/defeated — la moción fue aprobada/rechazada
to propose or (US) make a motion (that...) — presentar una moción (para que + subjun)
to propose or (US) make a motion (to do sth) — presentar una moción (para hacer algo)
4) (US) (Jur) petición fto file a motion (for sth/to do sth) — presentar una petición (para algo/para hacer algo)
to have or pass a motion — evacuar el vientre
6) [of watch, clock] mecanismo m2.VThe motioned me to a chair/to sit down — con un gesto indicó que me sentara, hizo señas para que me sentara
to motion sb in(side)/out(side) — señalar or indicar a algn con un gesto que entre/salga
3.VIhe motioned for the doors to be opened — hizo un gesto or hizo señas para que se abrieran las puertas
to motion to sb to do sth — indicar a algn con un gesto que haga algo, hacer señas a algn para que haga algo
4.CPDmotion of censure N — (Parl) moción f de censura
motion picture N — (esp US) película f
motion picture camera N — (esp US) cámara f cinematográfica, cámara f de cine
motion picture theater (US) N — cine m
motion sickness N — mareo m
* * *
I ['məʊʃən]1)a) u ( movement) movimiento mto be in motion — estar* en movimiento, moverse*
to set o put something in motion — \<\<wheel\>\> poner* algo en movimiento; \<\<project/plan\>\> poner* algo en marcha
it set in motion a whole chain of consequences — desencadenó toda una serie de consecuencias; (before n)
b) c (action, gesture) gesto m, movimiento mto go through the motions: he went through the motions of interviewing them — los entrevistó por pura fórmula
2)a) ( for vote) moción fto carry o pass a motion — aprobar* una moción
the motion was rejected/defeated — se rechazó/no se aprobó la moción
b) ( Law) petición f
II
-
5 three
12 -
6 Bibliografia
■ ADAMS, Les, y RAYNEY, Buck. Shoot’em-Ups. The Complete Reference Guide to Westerns of the Sound Era. New Rochelle, New York: Arlington House, 1978.■ ANDERSON, Lindsay. About John Ford. Londres: Plexus, 1981.■ ARESTE, Jose Maria. Pero….donde esta Willy? En busca de William Wyler. Madrid: Rialp, 1998.■ ASTRE, Georges-Albert, y HOARAU, Albert Patrick. Univers du western. Paris: Seghers, 1973.■ BELLIDO LOPEZ, Adolfo y NUNEZ SABIN, Pedro. Budd Boetticher. Un caminante solitario. Valencia: Filmoteca de la Generalitat, 1995.■ BINH, N.T. Joseph L. Mankiewicz. Madrid: Catedra, 1994.■ BOGDANOVICH, Peter (entrevistador). John Ford. Madrid: Fundamentos, 1983.■ BOGDANOVICH, Peter. Fritz Lang en America. Madrid: Fundamentos, 1984.■ BOUINEAU, Jean-Marc, CHARLOT, Alain, y FRIMBOIS, Jean-Pierre. Les 100 chefs-d’oeuvre du western. Alleur (Belgique): Marabout, 1989.■ BOURGET, Jean-Loup. John Ford. Paris: Rivages, 1990.■ BOURGOIN, Stephane. Roger Corman.Paris: Edilig, 1983.■ BOURGOIN, Stephane. Richard Fleischer. Paris: Edilig, 1986.■ BOURGOIN, Stephane y MERIGEAU, Pascal. Serie B. Paris: Edilig, 1983.■ BRANSON, Clark. Howard Hawks. A Jungian Study. Santa Barbara: Capa Press, 1987.■ BRION, Patrick. Richard Brooks. Paris: Chene, 1986.■ BUSCOMBE, Edward (ed.). The BFI Companion to the Western. London: Andre Deutsch/BFI Publishing, 1988.■ BUSCOMBE, Edward. Stagecoach. Londres, BFI, 1992.■ CASAS, Quim. El western. El genero americano. Barcelona: Paidos, 1994.■ CASAS, Quim. John Ford. El arte y la leyenda. Barcelona: Dirigido por, 1989.■ CASAS, Quim. Howard Hawks. La comedia de la vida. Barcelona: Dirigido por, 1998.■ CASAS, Quim. Fritz Lang. Madrid: Catedra, 1991.■ CHARLOT, Alain, FRIMBOIS, Jean-Pierre, y BOUINEAU, Jean-Marc. Les 100 chefs-d’oeuvre du western. Alleur (Belgique): Marabout, 1989.■ CIMENT, Gilles (director). John Huston. Paris: Positif-Rivages, 1988.■ CIMENT, Michel (entrevistador). Elia Kazan por Elia Kazan. Madrid: Fundamentos, 1987.COCCHI, John. The Westerns. A Picture Quiz Book. New York: Dover, 1976.COMA, Javier. Diccionario del western clasico. Barcelona: Plaza y Janes, 1992.COMAS, Angel. Lo esencial de Anthony Mann. Madrid: T & B, 2004.CORMAN, Roger (con Jim Jerome). How I Made a Hundred Movies in Hollywood and Never Lost a Dime. New York: Random House, 1990.CUEVAS, Efren. Elia Kazan. Madrid: Catedra, 2000.DIXON, Wheeler W. The “B” Directors. A Biographical Directory. Metuchen, New Jersey: The Scarecrow Press, 1985.DUMONT, Herve. Robert Siodmak. El maestro del cine negro. Madrid-San sebastian: Filmoteca Espanola, 1987.DUMONT, Herve. William Dieterle. Antifascismo y compromiso romantico. San Sebastian-Madrid: Filmoteca Espanola, 1994.DURGNAT, Raymond, y SIMMON, Scott. King Vidor, American. Berkeley: University of California Press, 1988.EDWARDS, Anne. The De Milles. An American Family. New York: Harry N. Abrams, 1988.ERICE, Victor y OLIVER, Jos. Nicholas Ray y su tiempo. Madrid: Filmoteca Espanola, 1986.FAGEN, Herb. The Encyclopedia of Westerns. Facts on File, 2003.FERNANDEZ-SANTOS, Angel. Mas alla del Oeste. Madrid: Ed. El Pais, 1988.FETROW, Alan G. Sound Films, 1927-1939. A United States Filmography. Jefferson, North Carolina: McFarland, 1992.FINLEY, Joel W. The Movie Directors Story. Londres: Octopus, 1985.FRENCH, Philip. Westerns. Aspects of a Movie Genre. New York: The Viking Press, 1973.FRIMBOIS, Jean-Pierre, BOUINEAU, Jean-Marc, y CHARLOT, Alain. Les 100 chefs d’oeuvre du western. Alleur (Belgique): Marabout, 1989.GALLAGHER, Tag. John Ford. The Man and His Films. Berkeley: University of California Press, 1986.GARFIELD, Brian. Western Films. A Complete Guide. New York: Da Capo, 1982.GEIST, Kenneth L. Pictures Will Talk. The Life & Films of Joseph L. Mankiewicz. New York: Scribner, 1978.GIULIANI, Pierre. Raoul Walsh. Paris: Edilig, 1986.GRIVEL, Daniele, y LACOURBE, Roland. Robert Wise. Paris: Edilig, 1985.HARDY, Phil. The Western. London: Aurum Press, Revised Edition, 1991.HAUSTRATE, Gaston. Arthur Penn. La vida se mueve. Valladolid: 39 Semana Internacional de Cine, 1994.HENRIET, G, y MAUDUY, J. Geographies du western. Une nation en marche. Paris: Nathan, 1989.HEREDERO, Carlos F. Sam Peckinpah. Madrid: Ediciones JC, 1982.HILLIER, Jim y WOLLEN, Peter (editores). Howard Hawks. American Artist. Londres: BFI, 1996.HITT, Jim. The American West from Fiction (1823-1976) into Film (1909-1986). Jefferson, North Carolina: McFarland, 1990.HOARAU, Albert-Patrick, y ASTRE, Georges-Albert. Univers du western. Paris: Seghers, 1973.HOLLAND, Ted. B Western Actors Encyclopedia. Facts, Photos and Filmographies for More than 250 Familiar Faces. Jefferson, North Carolina: McFarland, 1989.HURTADO, Jose A y LOSILLA, Carlos. Richard Fleischer, entre el cielo y el infierno..Valencia: Filmoteca de la Generalitat Valenciana, 1997.HUSTON, John. A libro abierto. Madrid: Espasa Calpe, 1986.JENSEN, Paul M. Fritz Lang. Madrid: JC, 1990.KAZAN, Elia. Mi vida. Madrid: Temas de Hoy, 1990.LACOURBE, Roland, y GRIVEL, Daniele. Robert Wise. Paris: Edilig, 1985.LARDIN, Ruben. Sam Peckinpah. Hermano perro. Valencia: Midons, 1988.LEEMAN, Sergio. Robert Wise on His Films. Los Angeles: Silman-James, 1995.LEUTRAT, Jean-Louis. Le Western. Archeologie d’un genre. Lyon: Presses Universitaires de Lyon, 1987.LEUTRAT, Jean-Louis. L’Alliance brisee. Le Western des annees 1920. Lyon: Presses Universitaires de Lyon, 1985.LEUTRAT, Jean-Louis. John Ford. La Prisonniere du desert. Paris: Adam Biro, 1990.LEUTRAT, J.-L., y LIANDRAT-GUIGUES, S. Les Cartes de l’ouest. Un genre cinematographique: le western. Paris: Armand Colin, 1990.LIANDRAT-GUIGUES, S, y LEUTRAT, J.-L. Les Cartes de l’ouest. Un genre cinematographique. Le western. Paris: Armand Colin, 1990.LOSILLA, Carlos y HURTADO, Jose A. Richard Fleischer, entre el cielo y el infierno. Valencia: Filmoteca de la Generalitat Valenciana, 1997.MAUDUY, J, y HENRIET, G. Geographies du western. Une nation en marche. Paris: Nathan, 1989.McBRIDE, Joseph y WILMINGTON, Michael. John Ford. Madrid: JC, 1984.McBRIDE, Joseph (entrevistador). Hawks segun Hawks. Madrid: Akal, 1988.McCARTY, John. The Films of John Huston. Secaucus: Citadel, 1987.McGEE, Mark Thomas. Roger Corman. The Best of the Cheap Acts. Jefferson: McFarland, 1988.McGOWAN, John J. J.P. McGowan. Biography of a Hollywood Pioneer. Jefferson, North Carolina: McFarland, 2005.MEMBA, Javier. La serie B. Madrid: T & B, 2006.MENDEZ-LEITE VON HAFE, Fernando. Fritz Lang. Barcelona: Daimon, 1980.MERIDA, Pablo. Michael Curtiz. Madrid: Catedra, 1996.MERIGEAU, Pascal y BOURGOIN, Stephane. Serie B. Paris: Edilig, 1983.MERIKAETXEBARRIA, Anton. Raoul Walsh…a lo largo del sendero. San Sebastian: Ttarttalo, 1996.NASH, Jay Robert, y ROSS, Stanley Ralph. The Motion Picture Guide. 1927-1983. Cinebooks, 1985NUNEZ SABIN, Pedro y BELLIDO LOPEZ, Adolfo. Budd Boetticher. Un caminante solitario. Valencia: Filmoteca de la Generalitat, 1995.OKUDA, Ted. Grand National, Producers Releasing Company, and Screen Guild/Lippert. Complete Filmographies with Studio Histories. Jefferson, North Carolina: McFarland, 1989.OLIVER, Jos y ERICE, Victor. Nicholas Ray y su tiempo. Madrid: Filmoteca Espanola, 1986.PARISH, James Robert, y PITTS, Michael R. The Great Western Pictures. Metuchen, New Jersey: The Scarecrow Press, 1976.PARISH, James Robert, y PITTS, Michael R. The Great Western Pictures II. Metuchen, New Jersey: The Scarecrow Press, 1988.PITTS, Michael R., y PARISH, James Robert. The Great Western Pictures. Metuchen, New Jersey: The Scarecrow Press, 1976.PITTS, Michael R., y PARISH, James Robert. The Great Western Pictures II. Metuchen, New Jersey: The Scarecrow Press, 1988.PLACE, J.A. The Western Films of John Ford. Secaucus: Citadel, 1974.PLACE, J.A. The Non-Western Films of John Ford. Secaucus: Citadel, 1979.RAINEY, Buck, y ADAMS, Les. Shoot’em-Ups. The Complete Reference Guide to Westerns of the Sound Era. New Rochelle, New York: Arlington House, 1978.REEMES, Dana M. Directed by Jack Arnold. Jefferson: McFarland, 1988.RIEUPEYROUT, Jean-Louis. La grande aventure du western. Du Far West a Hollywood (1894-1963). Paris: Ed, du Cerf, 1964.ROMERO GUILLEN, Maria Dolores. Las mujeres en el cine americano de Fritz Lang. Zaragoza: Mira, 2000.ROOS, Stanley Ralph, y NASH, Jay Robert. The Motion Picture Guide. 1927-1983. Cinebooks, 1985.SANCHEZ BIOSCA, Vicente (coordinador). Mas alla de la duda. El cine de Fritz Lang. Valencia: Universitat de Valencia,1992.SIEGEL, Don. A Siegel Film. An Autobiopraphy. London: Faber and Faber, 1993.SIMMON, Scott, y DURGNAT, Raymond. King Vidor, American. Berkeley: University of California Press, 1988.SIMMONS, Garner. Peckinpah. A Portrait in Montage. Austin: University of Texas Press, 1982.STOWELL, Peter. John Ford. Boston: Twayne, 1986.TCHERNIA, Pierre. 80 grands succes du Western. Casterman, 1989.THOMPSON, Frank T. William A. Wellman. San Sebastian: Filmoteca Espanola, 1993.URKIJO, Francisco javier. Sam Peckinpah. Madrid: Catedra, 1995.VARIOS. John Ford. Madrid: Fimoteca espanola, 1991.VARIOS. King Vidor. San Sebastian: Nosferatu, n. 31, 2004.VARIOS. Sam Fuller. San Sebastian: Nosferatu, n. 12, 1993.VARIOS. Jacques Tourneur. Paris: Camera/Stylo, 1986.VEILLON, Olivier-Rene. Le cinema americain. Les annees trente. Paris: Du Seuil, 1986.VEILLON, Olivier-Rene. Le cinema americain. Les annees cinquante. Paris: Du Seuil, 1984.VEILLON, Olivier-Rene. Le cinema americain. Les annees quatre-vingt. Paris: Du Seuil, 1988.WALSH, Raoul. Un demi-siecle a Hollywood. Memoires d’un cineaste. Paris: Calmann-Levy, 1976)WILMINGTON, Michael y McBRIDE, Joseph. John Ford. Madrid: JC, 1984.WOLLEN, Peter y HILLIER, Jim (editores). Howard Hawks. American Artist. Londres: BFI, 1996.WOOD, Robin. Howard Hawks. Madrid: JC, 1982.ZINNEMANN, Fred. A Life in the Movies. New York: Scribner, 1992.ZUMALDE, Imanol. Paisajes del odio. El dispositivo espacial de Centauros del desierto. Valencia: Universitat de Valencia, 1995. -
7 pic
s.1 foto (familiar)2 PIC, Lotus Picture File, formato de archivo gráfico usado para representar gráficas de Lotus 1-2-3.
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